Can you spot the young Clint Eastwood? How about Werner Klemperer from Hogan’s Heros? It’s fun! Except the part about them being Nazis.ĭaughter hamming it up at the Metropolitan Museum of Art in front of Ellsworth Kelly’s Spectrum V. I uploaded a high resolution pic so you can click on it and see how many actors you can identify. It’s like Where’s Waldo for the Third Reich. They’re stills from movies and television that show various actors portraying Nazis. I believed I might die.” She’s a little prone to histrionics, to say the least. On a press junket in 2000 for Dancer in the Dark, Björk claimed making the film was “…like signing on to war, going to the Vietnam War. You have nothing to give, your heart is hollow You betrayed your own heart, corrupted that organįamily was always our sacred mutual mission In Black Lake, from her 2015 release Vulnicura she “sings”: Barney is perhaps best known as ex-husband of Björk, who seems to have suffered a severe emotional breakdown when he left. It needs to be kept cool or it’ll melt.ĭon’t tell anyone but I poked it a bit just to see how deep the vaseline layer is. The structure had a translucent interior skeleton but it’s mostly made of petroleum jelly. The fun piece is inside this walk-in cooler:īarney, a hulking physical fitness nut, created this bench press. The exhibit contains film and sculpture and, quite honestly, I found it kind of boring. It’s a recreation of his 1991 career-launching New York debut exhibit. Sticking with Gladstone, this time their 24th Street gallery, is Matthew Barney’s Facility of DECLINE. I wish they had stuff like this back when I was still doing bong hits. The sculptures seem haphazardly strewn about the room but you can detect some order if you stand the right spots. The light pours in through a skylight and what you see depends on how the light hits them. What’s cool about it is you can weave between sculptures and get all kinds of playful angles and shades. What I see is a room full of vibrantly colored stone sculptures. The literature gussies it up as ‘a visual link between nature and the human condition.’ Yeah, yeah. To my complete delight, the tabloids laid into them as unfeeling, rich prigs so they backed off.Ĭurrently at the Gladstone Gallery’s 21st street space is Ugo Rondinone’s the sun at 4pm. Apparently, a dead rat or two can fall out and land at the entrance. There are luxury apartments along Central Park on the Upper West Side that have tried to have falcon nests removed from their eaves-eyasses and all. He spread his wings, dove off the beam and shot straight down towards the street like a bullet. Peregrine falcons have been clocked at over 200 mph. They’ll perch on opposite beams and screech at each other. We never see pigeons or sparrows up here.Įarly in the summer it’s usually a mother and an eyasses. We need repeaters installed in our ceiling. It’s so high that mobile phone signals don’t reach us. I took these from different angles to get varied, more interesting, backgrounds. This guy occasionally perches on a beam outside my office. There’s shelter and an endless supply of rats and pigeons to eat. There are currently about half dozen pair. To almost everyone’s delight, peregrine falcons have settled in Manhattan.
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